“A section of the Paris Press is doing all it can to help him, of course,” explained Mrs. Denton. “It doesn’t seem to matter to them that Germany is only waiting her opportunity, and that, if Russia comes in, it is bound to bring Austria. Europe will pay dearly one day for the luxury of a free Press.” Her little drummer played less and less frequently to her as the months passed by. It didn’t seem to be the war he had looked forward to. The illustrated papers continued to picture it as a sort of glorified picnic where smiling young men lolled luxuriously in cosy dug-outs, reading their favourite paper. By curious coincidence, it generally happened to be the journal publishing the photograph. Occasionally, it appeared, they came across the enemy, who then put up both hands and shouted “Kamerad.” But the weary, wounded men she talked to told another story.!

“But I’ve won,” she said. “I’m dying further forward. I’ve helped advance the line.” She did effect an improvement in the poor lady’s dress. On Madge’s advice she took her to a voluble little woman in the Earl’s Court Road who was struck at once by Madame Phillips’s remarkable resemblance to the Baroness von Stein. Had not Joan noticed it? Whatever suited the Baroness von Stein—allowed by common consent to be one of the best-dressed women in London—was bound to show up Madame Phillips to equal advantage. By curious coincidence a costume for the Baroness had been put in hand only the day before. It was sent for and pinned upon the delighted Madame Phillips. Perfection! As the Baroness herself would always say: “My frock must be a framework for my personality. It must never obtrude.” The supremely well-dressed woman! One never notices what she has on: that is the test. It seemed it was what Mrs. Phillips had always felt herself. Joan could have kissed the voluble, emphatic little woman.

These small hypocrisies were new to her. She hoped she was not damaging her character. But it was good, watching him slyly from under drawn-down lids, to see the flash of triumph that would come into his tired eyes in answer to her half-protesting: “Yes, I see your point, I hadn’t thought of that,” her half reluctant admission that “perhaps” he was right, there; that “perhaps” she was wrong. It was delightful to see him young again, eager, boyishly pleased with himself. It seemed there was a joy she had not dreamed of in yielding victory as well as in gaining it. A new tenderness was growing up in her. How considerate, how patient, how self-forgetful he had always been. She wanted to mother him. To take him in her arms and croon over him, hushing away remembrance of the old sad days. In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “Who among you is the more honoured? The miser or the giver: he who heaps up riches for himself or he who labours for others?”